Ed. note: Spoiler alert! This piece discloses some plot details in the novel Trust.
In advance of The Humanities Institute’s 2024 Deep Read, featuring Hernan Diaz’s Pulitzer Prize–winning novel Trust, UCSC students explored the book and Diaz’s other writings in a course with Lecturer and THI Program Manager Laura Martin.

Lecturer and THI Program Manager Laura Martin (photo by Carolyn Lagatutta)
Set in the 1920s and ‘30s, leading up to the 1929 Wall Street Crash, Trust explores financial technology from an historical perspective, while also providing a profound reflection on how power and wealth shape the stories we tell ourselves about the global economy.
The story unfolds in four sections as mini-books within the novel—each providing a shift in perspective and understanding and inviting readers’ questions about how much “trust” can be placed in each competing narrative.
Here, the students in the course provide some of their insights from their close examination of the text (including what’s being said between the lines). For many, it was the first time they’d encountered unreliable narrators, prompting a lot of reflection on the nature of truth—which, in Trust, could depend on who was telling the story.
Some also realized their investigations and discussions answered many questions but prompted more. Perhaps they’ll puzzle over these mysteries for decades to come. Answers may arise as wisdom grows, or remain ambiguous—which is, after all, part of the human condition and essential learning in and of itself.
Opening passageways in the minds of both students and community members to this type of thinking, seeking, questioning, learning, and discussing is among the Deep Read’s—and The Humanities Institute’s—goals.
Mohammad Alhamoudi
Cowell ’25, environmental studies
Leah Dautoff
Cowell ’25, literature
I am deeply appreciative of Trust for its profound exploration of the concept of truth, not only within the novel but also in the world around us.

Photo by Carolyn Lagatutta
Brenda Fu
Merrill ’25, literature
Diego Garza
Oakes ’27, linguistics
Nadia Kositsky
Cowell ’27, literature
Gabriel Landeros
Porter ’27, politics
Timothy Liu
Crown ’26, biomolecular engineering and bioinformatics

Photo by Carolyn Lagatutta
Fiona Mccormick
Kresge ’26, economics
The book isn’t really about money—it’s about power. The main character—Andrew Bevel—is already rich beyond measure. What he cares about is the power and status that comes from being viewed as this genius financier. The other type of power being discussed here is the power of language. Like his inspiration, Jorge Luis Borges, Diaz views language and literature in a more meta way than most. Throughout the book, we are asked not only to understand what is written on the pages, but also what is not written.
Seiya Mendiola
Porter ’26, literature
The title, Trust, is completely ironic considering how many times Diaz flipped the readers’ trust on its head.
Judith Montenegro
College Nine ’25, literature
Natalie Parker Blount
Oakes ’27, business management economics

Martin and the Deep Read course students took class outside on a recent warm spring day, discussing Trust among the redwoods. (Photo by Carolyn Lagatutta)
Francisco Porras
Oakes ’27, marine biology
Max Rothe
Oakes ’27, psychology
I have to question what Diaz’s role is in the telling of this story, since it is about the marginalization of women. What was the drive to share this narrative? Did he think it would be more credible coming from a male author? Would he consider himself a feminist?
Ado Vital
Kresge ’27, film and digital media studies
and his inspiration. Going forward I want to do this with any form of media or art because I think it says a lot about the creator and helps us appreciate it more. In general, Trust and Diaz reminded me how poetic and beautiful storytelling can be, and the messages they can subtly push and use to tell a grander story.
